Embarking upon a new line of enquiry. This continues my meditations on the human impulse to create, to make, to alter and adapt materials. To imbue material objects with meaning beyond their practical usage.
The starting point this time comes from this Jade Axe , found near Canterbury, U.K. Now a part of the British Museum collection. See Chapter 14, in ‘The History of the World in 100 Objects’ by Neil MacGregor.
What I am intrigued by is the fact that this was never a practical axe. Its purpose was inherent in its beauty, its meaning, its geographies and its biography. Add to that mix now, it’s antiquity (Between 4000 – 200 BC).
The stone has been identified as coming from a specific boulder in the Italian Alps, then was probably fashioned in Southern Brittany before travelling though to the British Islands. Extraordinarily, there is another axe, found in Dorset, which comes from the same boulder but maybe made at a different time. The two art objects made centuries apart, evidence of the longevity of a tradition.
Is this an indication of a trade being a way of maintaining relationships between distant peoples, of cementing obligations, ideas and culture?