Embarking upon a new line of enquiry. This continues my meditations on the human impulse to create, to make, to alter and adapt materials. To imbue material objects with meaning beyond their practical usage.
The starting point this time comes from this Jade Axe , found near Canterbury, U.K. Now a part of the British Museum collection. See Chapter 14, in ‘The History of the World in 100 Objects’ by Neil MacGregor.
What I am intrigued by is the fact that this was never a practical axe. Its purpose was inherent in its beauty, its meaning, its geographies and its biography. Add to that mix now, it’s antiquity (Between 4000 – 200 BC).
The stone has been identified as coming from a specific boulder in the Italian Alps, then was probably fashioned in Southern Brittany before travelling though to the British Islands. Extraordinarily, there is another axe, found in Dorset, which comes from the same boulder but maybe made at a different time. The two art objects made centuries apart, evidence of the longevity of a tradition.
Is this an indication of a trade being a way of maintaining relationships between distant peoples, of cementing obligations, ideas and culture?
I shall be drawing, and carving wood. The wooden versions will have to be beautiful to touch as well as to look at. To engage all the senses.
I am thinking already about the planned exhibition at The Willoughby Trust Gallery in 2021.
For domestic use, not medical.
Two layers, one cotton and one poly cotton. If using Elastic two loops at 5 inches (13cm). If cotton tape’s, four lengths at 18 inches (46cm). It is possible to add a third layer of some non woven fabric inside. This could be baby wipes (washed) , vacuum cleaner bag fabric has been recommended, vilene or even paper towel. They can be used when shopping, when finding oneself in a place where social distancing is difficult, on public transport. Make two for yourself, one to wear and one to wash.