Over several month I have been working on a new ‘Arlecchino mask, breaking away from traditional representations in a search for a more mature, tricksterish and altogether joyous character. Initial drawings to find some sort of ‘Essence’.
Progression was made in the clay design with several changes of direction, which retained elements of tradition but with a greater emphasis on asymmetry and uplift.
Experimenting with a lighter paint scene in order better see the sculpture.
May 18th & 19th. For these two day I had a table full of masks at The Poppy and Pint.
Lots of lovely conversations about masks and peoples experiences of them, some performers but mainly from the point of view of witnesses of transformative events. The Venice Carnival came up a lot. Each day at lunchtime I did a walkabout through the main streets enjoying the public reactions to The Old Lady with her Boy in her Basket. Many people up for engaging with her and asking her questions she can answer by nodding yes or no. Some children had fun pretending to be frightened of her, but as they kept coming back for more they made their game clear.
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
Making ready for the forthcoming exhibition at Surface Gallery and exploring different ways of hanging drawings and sculptures, with regards to the probability that they will get splashed. Lots of fun flinging dirty water about. Studio floor a delightful mess now.
Another outing for these Dogs at The Theatre Royal, Nottingham.
Some of the gang of dogs made last year for the First Nottingham Puppet Festival, made and animated by a group of theatre enthusiasts (Theatre Royal Creative Learning Dept.). Lots of fun and mischief was had by all, puppeteers and audiences alike.
Saturday 6th April 2019. T.R.C.H.
When the Clown meets the Mask ???? ‘PLAY” taking pleasure in an activity.
Saturday 23rd March 2019 at ‘Playworks’ Nottingham
Angela Hayes and Amanda Scofield, who are ‘the red herrings’ joined me, Stephen Jon Mask-Maker to play and share skills and experiences. This is continuing action research into the links between Comedy, Clown and Mask. We invited 11 associates from the physical theatre world to join us in this exploration. We payed specific reference to: Safety and Play: our professionalism and experience makes us safe. The mask and noses contribute by defining the ritualised space/ the play space/ the safe space /the theatrical space, where anything can happen. Ensemble: The Individual and the Herd. Looking at how we establish and maintain trust and awareness of our co-conspirators. So much pleasure in playing in a gang. Character and non-naturalistic theatre. A magnifying glass onto real /authentic expressions of relationships and emotion.
Release Access Pleasure Improvisation Visceral Transgress
Clown Mask Play Embodiment Naivety Freedom
Some of the masks, we used. Noses, Quarter Masks, Half Masks and Full Face Masks
We want to do more of this …….. What will come next ? …….
Not to mention a smattering of Hats.